On March 10, I visited my uncle Dennis Maust in his studio in northern Lancaster, Pa. It was a beautiful sunny day and the windows of his studio look out across rolling farmland to the hills of the northern border of the county. While he worked on his latest pieces, I asked him some questions about his work as a ceramics artist. But first I had a read through his essay “Living the Patchwork” in the latest issue of The Studio Potter for some background. This interview draws on themes from that piece. Dennis’s next show is in Lancaster for the month of July at Laporte Jewelers on Harrisburg Pike in Lancaster (across from F&M University). It is opening July 6th.
Tim: In the article in Studio Potter you talk about the period where you were building “protest-oriented pieces.” Can you say more about this?
Dennis: During the lead up to the latest Iraq war and during the early stages of the war, I was looking a lot at historic Iraqi pots and thinking about the tremendous loss of the antiquities when the U.S. troops first went in and didn’t protect the museums. So I was thinking about both the loss of antiquities and the human loss. And I was doing this series of pieces that were based loosely on historical Middle Easter forms and that particular piece seemed to be a bomb canister form, so I thought about where Abraham was born and the thought that something of this sort may have been found unexploded as a bomb canister. It’s about the loss and the danger and the cost of this war. I wanted to have people look at it as something that could have been found.